sabato 31 agosto 2024

She's Analog - Novara Jazz 2022


 

She's Analog
floor tom, sintetizzatore, pianoforte, Luca Sguera
chitarra, Stefano Calderano
batteria, elettronica, Giovanni Iacovella

01 Novara Improvisation 1
02 Novara Improvisation 2
03 Novara Improvisation 3
04 Novara Improvisation 4
05 Novara Improvisation 5
06 Novara Improvisation 6
07 Novara Improvisation 7
08 Novara Improvisation 8

registrato il 12 giugno 2022 presso la Canonica, Novara
Trasmesso da Rai Radio Tre il 13 agosto 2024

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domenica 25 agosto 2024

Jan Garbarek - As if the sky itself were too low… (2002)



Eberhard Weber, bass
Marilyn Mazur, drums, percussion
Rainer Brüninghaus, keyboards
Jan Garbarek, saxophones

01 Trollsyn
02 Storebror og Lillebror
03 Conversations
04 Goin' home
05 Malinye
06 Chorus (bass solo)
07 New Bein'
08 Jodhpursiflage
09 Pan
10 Bali
11 Jodhpurmutations
12 Desolate Mountains
13 Where the Rivers meet
14 Rainbow Birds
15 It's High Time
16 Mission: To be where I am
17 Voy Cantando

Recorded live, Grieg-Hallen, Bergen (Norway) May 25, 2002
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sabato 24 agosto 2024

Eberhard Weber - Live (1989)



Eberhard Weber - bass
Rainer Bruninghaus - piano
Clarence “Herb” Robertson - flugelhorn
David Bargeron - tuba

1. Before dawn
2. T. on a white horse
3. Round about afternoon

Registrato al Theatherhaus, Stoccarda (Stuttgart), Germania, 1989
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venerdì 9 agosto 2024

Tom Van Der Geld and Children at Play - Patience (1978)


As yet to provide choice “vibes” for Kenny Wheeler’s around 6, in addition to his elusive but well-worth-owning Path, mallet man Tom van der Geld made his ECM debut with this, his second of four “Children at Play” recordings. Less specific than his later work with the group, which was perhaps never meant to be a stable collective/concept in the first place, Patience may require just that. That being said, the abstractions of the opening title track have a charm all their own, seeming to inhabit that blurry space between fading night and the coming dawn. This diurnal circle unrolls into a relatively straight line in the flute of multi-instrumentalist Roger Jannotta through the vibes’ infrared lobs. With “Golden Stabs” we feel that dawn acutely, warming our faces with a gorgeous soprano that always remains tonally centered despite its erratic rays. Those smooth reeds carry over into the even smoother melancholia of “Alison.” “Celia” is an ever-changing mosaic of continental winds and underwater railways. Like a broken vial of liquid mercury, it recedes, unrecoverable, into the cracks of a melodious tessellation. “And Then…” ends the album on a pointillist reverie with the oboe as storyteller. We get the barest intimations of traction in the bass (Ken Carter) and drums (Billy Elgart) before taking shelter in more densely woven brush. It is here where the album at last begins to gel and its trajectory becomes known to us.

Viscous and profoundly solitary, van der Geld’s is an intimate world to be sure. Like the flute that haunts its darkest corners, it is a half-remembered death given a new body through the resurrection of the musical act. One feels Patience in degrees of heat, each track an incremental setting on a toaster that sets the coils aglow with varying intensity, leaving us with a distinct char every time.
from http://ecmreviews.com/2011/03/15/patience/

Tom Van Der Geld, vibraharp, percussion
Bill Elgart, drums, percussion
Kent Carter, bass
Roger Jannotta, soprano and baritone saxophones, flutes, oboe, bass clarinet

1. Patience
2. Golden stabs
3. Alison
4. Celia
5. And then...

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